Broadway by Light
An experimental meditation on Times Square marquees and iconic advertising, Klein’s first film captures the concurrently seedy and dazzling aspects of New York’s Great White Way. Illustrative of Klein’s transition from photographer to filmmaker, Broadway by Light was declared by Orson Welles to be “the first film I’ve seen in which color was absolutely necessary.” 1958, 35mm, 12 minutes.

Far from Vietnam (Loin du Vietnam)
Seven directors (Klein, Alain Resnais, Jean-Luc Godard, Agnès Varda, Claude Lelouch, Joris Ivens, and Chris Marker) present a searing indictment of U.S. involvement in Vietnam. In his segment, Klein featured Norman Morrison, the Quaker activist who, inspired by Vietnamese Buddhist monks, set himself ablaze to protest the war. 1967, 35mm, 26-minute excerpt.

Contacts
Klein dissects the contact sheet from one recent roll of film, deconstructing his editing technique and injecting a brutally honest assessment of his art. As the New York Times put it, “Half a century of work can add up to two blinks of an eye.” 1983, 35mm, 15 minutes.

Target Free Thursday Nights sponsored by

Broadway by Light
An experimental meditation on Times Square marquees and iconic advertising, Klein’s first film captures the concurrently seedy and dazzling aspects of New York’s Great White Way. Illustrative of Klein’s transition from photographer to filmmaker, Broadway by Light was declared by Orson Welles to be “the first film I’ve seen in which color was absolutely necessary.” 1958, 35mm, 12 minutes.

Far from Vietnam (Loin du Vietnam)
Seven directors (Klein, Alain Resnais, Jean-Luc Godard, Agnès Varda, Claude Lelouch, Joris Ivens, and Chris Marker) present a searing indictment of U.S. involvement in Vietnam. In his segment, Klein featured Norman Morrison, the Quaker activist who, inspired by Vietnamese Buddhist monks, set himself ablaze to protest the war. 1967, 35mm, 26-minute excerpt.

Contacts
Klein dissects the contact sheet from one recent roll of film, deconstructing his editing technique and injecting a brutally honest assessment of his art. As the New York Times put it, “Half a century of work can add up to two blinks of an eye.” 1983, 35mm, 15 minutes.

Target Free Thursday Nights sponsored by