At the vanguard of a recent wave of young designers whose practices blur the lines between the worlds of client-driven projects and critical investigation, David Reinfurt melds highly conceptual ideas with technological experimentation. After receiving his MFA in Graphic Design from Yale University in 1999 and working as an interaction designer at IDEO in San Francisco, he founded the studio O-R-G in New York, where his clients included the New York Times, AIGA NY, Corcoran Gallery of Art, Brill’s Content, and Dean Sakamoto Architects, among others. In 2006, with graphic designer Stuart Bailey, Reinfurt established Dexter Sinister, a small workshop/bookstore on the Lower East Side. Counter to the assembly-line realities of today’s large-scale publishing, the studio’s process involves working on-demand, using inexpensive local machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production, and distribution into one efficient activity. Dexter Sinister was featured at the Centre d’Art Contemporain Genève in Switzerland and the 2008 Whitney Biennial. Reinfurt has written for magazines such as the New York Times Magazine, Dot Dot Dot, Social Text, Visual Communications (UK), Modern Painter, Metropolis M, Idea Magazine (Japan), and Nozone Empire. He previously held a yearlong research affiliate position at the Center for Advanced Visual Studies at MIT and currently teaches at the Columbia University Graduate School of Architecture, Planning and Preservation, and the Rhode Island School of Design.

This lecture will be webcast live and archived on the Walker Channel (channel.walkerart.org).

At the vanguard of a recent wave of young designers whose practices blur the lines between the worlds of client-driven projects and critical investigation, David Reinfurt melds highly conceptual ideas with technological experimentation. After receiving his MFA in Graphic Design from Yale University in 1999 and working as an interaction designer at IDEO in San Francisco, he founded the studio O-R-G in New York, where his clients included the New York Times, AIGA NY, Corcoran Gallery of Art, Brill’s Content, and Dean Sakamoto Architects, among others. In 2006, with graphic designer Stuart Bailey, Reinfurt established Dexter Sinister, a small workshop/bookstore on the Lower East Side. Counter to the assembly-line realities of today’s large-scale publishing, the studio’s process involves working on-demand, using inexpensive local machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production, and distribution into one efficient activity. Dexter Sinister was featured at the Centre d’Art Contemporain Genève in Switzerland and the 2008 Whitney Biennial. Reinfurt has written for magazines such as the New York Times Magazine, Dot Dot Dot, Social Text, Visual Communications (UK), Modern Painter, Metropolis M, Idea Magazine (Japan), and Nozone Empire. He previously held a yearlong research affiliate position at the Center for Advanced Visual Studies at MIT and currently teaches at the Columbia University Graduate School of Architecture, Planning and Preservation, and the Rhode Island School of Design.

This lecture will be webcast live and archived on the Walker Channel (channel.walkerart.org).