Working-class, thirtysomething Cyril is a political militant whose love affair provides a humanist and humorous center. Produced 17 years after Bleak Moments (with many British television plays in between), High Hopes exhibits the more overtly political ethos and savage satire Leigh has shown throughout his career. The New York Times called it “by far the best, most serious, most original new film to open here so far this year.” 1988, 35mm, 110 minutes.

Courtesy of Southern Star International.

This program is made possible by generous support from Regis Foundation.

Working-class, thirtysomething Cyril is a political militant whose love affair provides a humanist and humorous center. Produced 17 years after Bleak Moments (with many British television plays in between), High Hopes exhibits the more overtly political ethos and savage satire Leigh has shown throughout his career. The New York Times called it “by far the best, most serious, most original new film to open here so far this year.” 1988, 35mm, 110 minutes.

Courtesy of Southern Star International.

This program is made possible by generous support from Regis Foundation.